The Live Poets’ Society – Part 1

The Live Poets’ Society is a group of poets who are either researchers or staff members at The Huntington Library, Art Collections, and Botanical Gardens in San Marino, California. (First two photographs were taken from The Huntington website). library-headerIt was 1991 when I first applied for a readership at the library in order to explore their treasury of Early American literature, which is extensive. The rare book collections offered a banquet of Puritan diaries, journals, conversion narratives, and sermons. My dissertation about the American Puritans would take me a couple of years to write, and after that was finished there was plenty of other research to be done in that and other areas of literature. For a person who likes reading, studying, and writing, The Huntington Library is a version of Paradise.research-headerSometime in 1991, I discovered some poets and was invited to join their group. They had been meeting for a few years, and their habit was to get together once a month for lunch and a poetry reading. Each person read a poem out loud, and the others commented upon it. I had been in a number of writing classes in college, where every comma was questioned, every word evaluated. Not so with the Live Poets. We were enthusiastic about the poems, though they differed widely in terms of style and approach. We had rhymers and free-versers, didactic sensibilities, and freethinkers. We came out with our first chapbook in 2000, California Lyrics. In that one, we were celebrating the California Sesquicentennial, so all of the poems were about some aspect of the Golden State. Midge Sherwood, one of the original members of the group and an historian of California, wrote this tribute:

California: A Sesquicentennial SaluteCALyrics

Here’s to California!
She has stood the test of time;
Her legacy is gold abundance
In wealth and healthy clime;
Her path brought freedom West,
Her frontier leaps in Space,
All hail to California —
Port of the human race!

The second chapbook, Huntington Lyrics, was published in 2002. At the Huntington nearly every day, we had plenty of material to use. Each morning as I drove through the gates, my mood would distinctly improve, so I contributed a poem about that experience:

The EntranceHLyrics
It separates sadness
hidden in the mountains
from essential beauty and form,
places of perplexity
from patterned harmony,
and so the dilemma from its remedy.
Threshold of determined blooming,
gateway to the perpetuation of enlivened
air; this world is categorized
for sun, for green, and for perception.
Find hope, all who enter here.
Dimness is abandoned,
and born, the realization of light.

The third chapbook, Garden Lyrics, gave us the chance to write some poems for our “Centennial Salute to William Hertrich,” the man who designed the Botanical Gardens. Christopher Adde, a staff member at the library, wrote one of his typically pleasant and celebratory poems:

In the GardenGLyrics
The people come as one assumes
To view the plants and vivid blooms
But there are those who much like me
Take joy in butterfly and bee
And birds that tend their latest brood
While Mantid poise in search of food

What wondrous sights this garden brings
Wildlife that scurries, chirps and sings
Lizards lazing in the sun
Turtles playing having fun
Squirrels dashing all day long
Amid the cheerful human throng.

The poets are still meeting; members come and go. I heard rumors of a new chapbook, but I have not confirmed them. Some of the group’s luminaries have departed this earth for the final Paradise. I think of them tonight and hear their voices, the individual cadences of each one reading a sublime and essential poem.

Appreciating Those Who Write – Pat Conroy

Since he only recently passed away Pat Conroy is now on the minds of a lot of people who enjoyed his books. Pancreatic cancer took his life. He died at his home in Beaufort, South Carolina on March 4, 2016, surrounded by family members. I was gratified to learn that he had reunited with his daughter, Susannah, after a long estrangement (Pat Conroy’s Last Days).

ConroyPat

An enthusiastic reader, I have often been asked who my favorite writers are, a question I cannot answer easily for so many reasons. While attending college, I tended to like all the literature for each of the eras I studied with few exceptions, making it challenging to select one concentration for the doctoral program. Finally settling on Early American literature, I still think it sounds strange to tell others that some of my preferred authors are Puritan ministers, or seventeenth-century diarists. I also find it difficult to choose favorite authors because I have no real systematic reading method and no real hierarchy for the authors I like. I keep thinking that I will develop one. (Conroy photograph taken from http://www.chicagonow.com)

Pat Conroy, though, has provided many of my transcendent reading experiences so he is often the first writer whose name occurs to me when asked for a list of favorites. His status as a celebrated author is supremely well-deserved if we rate according to skill, passion, and soul. Now that he has died, I have to abandon the hope that I will attend one of his book-signings. I have heard from others who were privileged to meet him that he was warm, gracious, and humble, plus a few reports that he could be difficult at times. I am not surprised by the mix of qualities. If anyone has pondered and thoughtfully explored the human condition, it is Conroy.

MyReadingLife

My Reading Life is a gem of a book. In it he writes that “the novels I’ve loved will live inside me forever.” He trusts “the great novelists to teach me how to live, how to feel, how to love and hate.” More poignant, now that he is gone, he trusted them:

 “. . .to show me the dangers I will encounter on the road as I stagger on my own troubled passage through a complicated life of books that try to teach me how to die.”

He credits Margaret Mitchell’s novel, Gone With the Wind, for him becoming a novelist, noting that his mother read the novel to the children often, saw herself in it as the figure of Scarlett O’Hara, and raised him up to be a “Southern” novelist with an emphasis on the word “Southern.” He writes, “I owe a personal debt to this novel that I find almost beyond reckoning” (23).

Sometimes criticized for writing “purple” prose, Conroy’s descriptions are nonetheless beautiful, lyrical, and appealing. If you enjoy the literature of place, Conroy is your man. Here is a description from South of Broad, the first page.

“I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians.”SCarolina       (Photo of Charleston, S.C. from http://www.awesomeplacesonearth.com)

As he says in My Reading Life, he liked being “immersed in a made-up life lived at the highest pitch,” and that was my experience reading South of Broad and Beach Music, as well as his most famous book, The Prince of Tides.

Always interested in the habits of writers, I found his schedule in Paris to be appealing: morning writing, walk, lunch, nap, more writing (I would skip the nap, since they ruin me). He was there for four months and wrote six hundred handwritten pages (210). In general, he had an “ironclad” schedule of writing no matter where he lived, since writing books “does not permit much familiarity with chaos” (108). How I would love to escape my own tendency toward chaos and become more ironclad.

If I could get there, I would attend the exhibit at the University of South Carolina, a Pat Conroy Retrospective, which continues through the month of March. ConroyRetrospectiveTo say that he is an author that I “like” is understating my response to his books, but I wanted to avoid being sappy or overly-sentimental. I should point out that I had strong responses to his books, I LOVED his books, I was exhilarated by passages in his books, and I learned a lot about writing from his books. Rest in peace, Pat Conroy, and thank you for enhancing my appreciation for the reading experience, the writing experience, and for being a human being on earth at this time.

 

Find his blog and a list of his books on the website: Books by Pat Conroy.