Poetry and a Clean Surface

Wistful, melancholy, looking off into the distance. All I want, I tell my husband, is a clean surface in the middle of a clean world. I say this because while I abhor clutter, I often have much of it on the surfaces I use to write. My desk in the study, the dining room table, a wooden card table I sometimes set up just to be out in the living room. Piles of files. Mail. Envelopes. Photos. Labels. Folders. Books. Computer cords. Notebooks. The photos, especially, seem to have multiplied supernaturally. I was just looking for one or two, and now they are heaped upon the table like mounds of leaves.

I did find the one I was after. I took it while my mom and I were in Boston. We decided to visit Amherst to tour the home of Emily Dickinson (because who doesn’t like her?). We took the bus during a snowstorm, and when we got to Amherst, the town seemed hushed, like a scene on a Christmas card. Here is what the Dickinson property looked like that day.

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We were part of a small group touring the Dickinson grounds and home. I could almost believe in ghosts when we saw her bedroom with her small writing table where she wrote close to a thousand poems, only found by her sister, Lavinia, after Emily’s death.DickinsonroomPhoto taken from http://www.emilydickinsonmuseum.org

Back to the clean surface. The line comes from a favorite poem by Billy Collins, included in his collection, Sailing Alone Around the Room (2001). The poem is called, “Advice to Writers”:

Even if it keeps you up all night,
wash down the walls and scrub the floor
of your study before composing a syllable.

Clean the place as if the Pope were on his way.
Spotlessness is the niece of inspiration.

The more you clean, the more brilliant
your writing will be, so do not hesitate to take
to the open fields to scour the undersides
of rocks or swab in the dark forest
upper branches, nests full of eggs.

When you find your way back home
and stow the sponges and brushes under the sink,
you will behold in the light of dawn
the immaculate altar of your desk,
a clean surface in the middle of a clean world.

From a small vase, sparkling blue, lift
a yellow pencil, the sharpest of the bouquet,
and cover pages with tiny sentences
like long rows of devoted ants
that followed you in from the woods.

When I chatted with Billy Collins after his reading at Azusa Pacific University a few years back, I told him it was my favorite poem as he signed my book, and I think he understood my conflicts intuitively. My friend, Holle, another Collins fan, was with me, and here is a photo of them both.

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It is National Poetry Month, the 20th anniversary celebration, started by The Academy of American Poets, and on their site you can find ways to join in. If you enjoy poetry, it might be fun to take a few moments and peruse their website, perhaps lingering over a poem or two by one of your favorite poets. I belong to the organization, and I enthusiastically support them for their efforts to permeate culture with poetry.

They suggest memorizing a poem. I must mention here our Aunt Pat, who at nearly ninety years old can recite many of the poems she memorized as a child. She recited Longfellow’s poem, “A Psalm of Life,” at the funeral of her sister (my husband’s mother) in December, as that poem was a family favorite. Their grandfather had been a “recitator” in the pubs of Ireland, an elocutionist, who read to them as they sat around the fire in the evenings, most often reading poetry, the Bible, or a Shakespeare play. Here is Aunt Pat, enjoying her vacation after reciting Robert W. Service’s poem, The Cremation of Sam McGee.

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It is also the month of NaPoWriMo, in which participants write a poem a day. They were inspired by NaNoWriMo, where participants write a novel during the month of November every year. Lots of poets are contributing to NaPoWriMo, so if you are interested in reading their poems, visit the blogs of James Rovira and Jennifer Barricklow. Tim (a close friend) and I celebrated early, writing a poem a day in the month of February, although I only made it to day 7, and I think he has caught up in April with an additional dozen or so poems. I have to catch up to that by tomorrow morning when we meet to do Tai Chi and review the last week’s writing, and I can only get started at about 11 pm when we get home from seeing Dana Gioia, another poet, who is speaking tonight in Pasadena. So no time now to clean the surfaces.

 

 

 

The Live Poets’ Society – Part 2

The group is now called The Poetry Society of the Huntington Library, as Chris Adde told me when I phoned him last week to let him know that one of his poems was featured in that week’s blog post. Originally, the group’s name was a response to the film, The Dead Poets’ Society, now so dated that some of the recent younger members of the group had not even heard of it. The new title is dignified and appropriate, I think. Previously, I mentioned that they got started a few years before I joined them in 1991, but after recalling our decennial celebration in 2000, I realize they formed the group in 1990.

Members of the circle came and went during my years of participation, but there were some regular participants and occasionally new poets, scholars from out of state who were doing research for a few months. Aside from Chris Adde, I don’t know who belongs to the society now. The original group was made up of some noteworthy and extraordinary people.

For a time, Dr. John Steadman, one of my professors in graduate school who had a most genteel manner, joined us. A noted Shakespeare and Milton scholar, his list of publications is imposing. I didn’t dare ask them, but I think a few of the ladies were mildly infatuated with him. He was doted upon at one of our home luncheons. Dr. Steadman was honored by his friends at the library after he passed away in 2012. AveryWe never had a consensus about who actually started the group, but it was a toss up between Midge Sherwood, a mover and shaker who got the San Marino Historical Society going, and Joan Elizabeth White, who was a professor of English at Citrus College in Azusa, California for more than thirty years.

Midge believed in History (capital “H”) and worked to preserve the history of San Marino, the Huntington Library, and the state of California. She wrote books about the Golden State, General Patton, and John Fremont. A thorough researcher and stalwart patriot, Midge was particularly emotional about poetry. She certainly wrote plenty of it, and until her last year of activity at the library when she could no longer get around well, she never missed a meeting.MidgeJoan Elizabeth White was a calm and delightful individual. We often had dinner together after a day of research at the library, waiting for the rush-hour traffic to subside. She lived in an apartment across the street from MacDonald’s, and I asked her once if she ate there occasionally. Her response: “Yes, almost every night. I really should reform.” After her car was stolen, for which we were all thankful, knowing she had become a less proficient driver as she aged, she took a taxi every day to the library. Joan

Mary Tempest Bachtell (what a great name) was a volunteer at the library. A retired elementary school teacher, she wrote poetry for children and adolescents. Her stories about her sister and her father were a treat for all of us. She passed away in 2004.Mary Kazuko Sugisaki spent half the year in the United States and the other half in Japan. She and Joan worked together for a time translating Japanese poetry and prose. Kazuko is a well known Anais Nin scholar and has written several books about major literary figures. I am not sure she still makes the trip to the United States anymore, but if she does, I hope to see her again.KazukoJeanne Nichols was a supremely engaging woman. Jeanne had taught English at Harbor College in Los Angeles, not too far from her lovely home on Mount Washington. Her book of poems, Running Away From Home, can still be purchased from Amazon. Passionate about her garden, she often wrote poems about it as well as about her cats. In many ways, she was the heart of the poetry group, and her responses set the tone of our meetings. Even in the face of nursing home stays and physical suffering, she remained positive. She passed away in 2010. JeanneHer closest friend, Norma Almquist, was a warm, pleasant, and most interesting poet. Norma set out, early in life, to have as many different kinds of jobs as she could have. She was an airplane mechanic in the Women’s Marines, wrote field manuals for the Army’s Quartermaster Corps, edited a literary magazine, did social work, worked in factories, and taught English. After Jeanne’s children were grown, she and Norma traveled. We heard about their trip across the Nubian desert on camels, their island adventures, trips to India. Norma told me that she would get bored and hop a plane to Paris to sit on the Left Bank. A champion of light, humorous verse, Norma wrote a collection of it, Traveling Light, which can be ordered from Amazon. Norma passed away at the age of 89 in 2011. I smile now when I remember her phone call to me when she turned 87. “I weigh the same as my age,” she said. Here she is is 1944 when she was in the Marine Corps and then later near the end of her life.YoungNorma

Norma

Christopher Adde, handsome, funny, and kind, was a welcome addition to our group. His lovely British accent enriched his recitation of poems. I don’t have any photos of him except the one of our entire group, which includes one member (on the far left) only there for a short time, and I cannot recall her name (apologies). Chris is still in the group and has added some innovations, such as an annual poetry award for Huntington staff and researchers.PoetsFor a time, I was the youngest member of the Live Poets, and I learned much from listening to them in conversation. What an honor to have known them all.Carla

Here’s to the memory of twenty years with these delightful poets. We had so many outstanding meetings and celebrations, luncheons and Christmas poetry celebrations, and some glorious walks through the Huntington gardens. Cake

The Bloodline Writers

In my large extended family, there are several writers. Some of them write without the hope of publishing, or even without the hope of showing their work to anyone, but all of them love the written word. I suspect that many of my family members have never even mentioned to anyone their love or practice of writing (after all, we are Finns, a stoic people, known for their resistance to demonstrative affection and strong displays of emotion). Drawn to writing since childhood, I wonder if there is a genetic connection. Perhaps writers understand one another in specific ways, just as painters do, or electrical engineers, or archaeologists. When I hear writers talk about their craft, I understand it intuitively. When I hear my relatives talk about writing, I understand it on an even deeper level. We are not as illustrious as the Brontes or the Dumases, but the artery of writing runs through us nonetheless.

As a child, I heard a lot about the passion for writing felt by Uncle Ub, who had an untimely death due to a stroke at the age of twenty-nine. UbEvidently we had met, though I was only nine months old. I have visited his grave many times, and tonight my mom gave me a browned page of one of his school assignments. It opens this way:

“Geraldine busied herself in front of the full-length mirror that covered most the entire wall of the spacious, luxurious, but somewhat frightening room. She was engrossed in pinning back a stubborn curl of her raven black hair with an artificial but arresting white carnation. Her lips as red as new drawn blood were puckered in an expression of exasperation as the curl defied her assaults.”

From all accounts, he was interested in traveling, writing, and women. Wounded during the Korean War where he had been in a MASH unit, he received a purple heart. Had he lived, I’m sure we would have been friends and that we would have had many wonderful conversations about writing. In some families, writers may seem odd and unproductive (see for example, the article in the New York Times by Roger Rosenblatt, referenced below) but in our family, the desire to write was applauded and generally appreciated.

Greg

 

For the past few months, I have been meeting with my cousin, Greg, a retired sheriff, now a developing author and poet. He read a poem in public for the first time during the open mic portion of a poetry reading on February 21. We began meeting regularly to discuss our reading of Hemingway’s works, which led to more writing of our own. Greg now has more than thirteen new poems and stories.

Before my time with Greg, I had been meeting regularly with my cousin, Lori Beth, who has long had a desire to write fiction. We did free-writing exercises sometimes, which evolved into longer, more polished works, and we had some laughs over coffee as we read our work to each other. Lori has since gone into teaching, though I’m sure her writing efforts will continue. An accomplished student of anthropology, Lori brings a deep understanding of diverse cultures to her fiction. LoriBeth

My cousin, Jim, is a comedy writer and performer. I have seen his performances at the Flapper’s Comedy Club both in Claremont and Burbank a few times. When I saw the photo of his desk on Facebook, I couldn’t help but think how fun it would be to sit down and write jokes every day. His father, my Uncle Jim, was a supreme wit, as is his brother, my cousin Richard. I feel grateful that Jim is taking his talent to both the page and the stage.

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My Aunt Emily, a spinster who passed away in 2013 at the age of eighty-five, was someone who wrote often, though she never mentioned it to anyone, as far as I know. I have been slowly going through some of her journals and recognizing her talent and love of writing.AuntEm

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Her sister, my Aunt Mavis, wrote a book about her faith. It was published by a vanity press, and I have a few copies in my study.

I know that my predisposition to writing comes from my mother who seems to embody all the strains of writing I have mentioned in relationship to other relatives. She has written memoirs, poetry, non-fiction, comedy, and novels. Thanks to her, I have an unrelenting appreciation for writing, family history, and humor. We might be Finns, but we do love to laugh.MomAceyI was an only child until I was almost twenty years old. Finally, I got a sibling when my mom and stepdad had my brother, Joel. Now an R & D Imagineer for Disney, he has always been creative. I will never forget the night we came home late one night after I picked him up from one of his college functions. JoelvineyardWe drove down the main street of what had been the small town in which we grew up. The streets were slick with rain, and it was after midnight. He began to recite poetry in the grand tradition of the Beats (Kerouac, Ginsberg, Ferlinghetti). He did it spontaneously and quickly. Mesmerized, I experienced the poem as it was being uttered. It was beautiful. Another Finn with the soul of a poet.

What is the role of the writer in your family? Are you the only writer? One of many?

Rosenblatt, Roger, “The Writer in the Family,” New York Times, May 11, 2012.

 

Bright, Lucid, and Clear

When I was at the Los Angeles Public Library earlier this year, I photographed the step fountains on the way up to the entrance coming in from Flower Street, and was drawn in by their names:  Bright, Lucid, and Clear. Designed by Bertram Goodhue, the building’s architect, they are meant to support the library’s theme, “The Light of Learning.” http://www.lapl.org/collections-resources/blogs/lapl/history-printed-word-step-step. For me, they represent states of being that I find sublime and elusive, that I am perpetually seeking and only occasionally finding.Bright

For a couple of weeks, I have felt the opposite: dim, vague, and clouded. I was sick, my husband was sick, and we were sorting stacks of receipts for taxes. Some projects and deadlines were only haphazardly accomplished and met. I thought about what Elizabeth Berg says about deadlines and writing in her book, Escaping Into the Open: The Art of Writing True:  “I believe it’s critically important to try for a certain church and state-like separation” (131). Nonetheless, I was glad to meet at least one deadline. We had a series of events scheduled, but only made it to about half of them, the house got cluttered, and the mail piled up. I had the ongoing feeling I was spinning my wheels in the mud.

On the upside, friends from Virginia have been visiting, and I spent time with them along with other close friends, which was entirely enlivening, and I felt bright and present. The poetry reading on February 21 (last week’s post) was a high point. Somehow, preparing the poems and reading them was galvanizing and uplifting. On that day, I was lucid for at least an hour. LucidCold remedies and medications have prevented me from feeling clear, but I did have a few moments of recognizing what I need to do for the continuing path I am following. Perhaps the clearest moment was one of appreciating the beauty of a beach sunset.ClearBeachsunset

Copies of the most recent issue of Westview arrived, a literary journal published by Southwestern Oklahoma State University, featuring three of my poems. They included visuals with all of them, which was a pleasant surprise to me. One of the poems was an elegy for my father who passed away in 2009. I am gratified that it found a home. I also managed to get some new poems written and hope to send them out this week. Continue, stay on the path, seek illumination, I tell myself.

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What conditions assist you with your tasks and projects? Or what beliefs and approaches? Here’s wishing all of you the experience of feeling bright, lucid, and clear!

Berg, Elizabeth. Escaping Into the Open: The Art of Writing True.  New York: HarperCollins, 1999.

Poetry in the Moment

Yesterday’s poetry reading, The Reading #4, hosted by Michael Thomas Cooper and held at the Muffin Top Bakery in Redlands, California, was well-attended. In fact, there were not enough chairs for the guests, so several people stood up for the entire reading, as customers wandered in and out and the employees tried to keep up with the orders. I was invited to be one of the featured poets, and it was a privilege to participate with Maritza Ocampo and Maurisa Thompson, plus an interesting line up of open mic readers, many reading for the first time in public. w:MichaelCindy

Cindy Rinne, well-known Inland Empire poet and visual artist, also signed and sold me a copy of her chapbook, spider with wings, and I anticipate a nice evening reading it. SpiderWings

I love doing poetry readings, hearing others read their work, and being part of a community that also enjoys the same things. Nonetheless, the experience of hearing a poem is much different from reading it. The visual aspects of the poem are lost, the line breaks, the stanza lengths, and any punctuation that might create visual pauses or stops. When we encounter “poetry in the moment,” or poetry being read by someone out loud, we instead pick up on the imagery, the sounds of the words, and the intonation and pacing of the reader. I read a new poem, one that is intended to be fast-paced until the poem’s resolution in the last few lines, and though I knew how it should sound, how I wanted it to sound, I didn’t end up reading it that way. Instead, due to feeling out of breath a few times, I did not convey the pacing I had in mind. CarlaPR2

Poetry-in-the-moment is a unique experience of poetry. We are sitting with others who may or may not be poets, who may not like poetry, or have any experience with listening to poetry, or with those who are well-acquainted with hearing live readings. The mood of the general audience tends to affect the reception of the poem. Enthusiasm begets more enthusiasm, and likewise, boredom. Thankfully, yesterday’s group, a blend of seasoned poets and novices, first-time readers and onlookers, seemed eager to grasp what each reader shared, and appreciative of each reader, no matter how wide the range of topics. (Photo by Larry Eby)

I would love to hear what you think of poetry readings, both attending them and giving them.